In Miley’s discography, rousing covers of rock and roll classics (take her stunning version of The Cranberries’ “Zombie,” for example) sit next to country-rap fusions like the Nelly-assisted “4×4” and the brain-melting acid trip that is “Tangerine.” The most fearless pop star of her time, Miley’s range is vast and her commitment to exploration is second to none.
From the reflective country-inflected pop balladry of Younger Now to the hip-hop-indebted psychedelic sleaze of She Is Coming, Miley has always made it her mission to expand her musical boundaries. Following in the footsteps of Madonna, the Queen of Pop Metamorphosis, Miley transforms into a new iteration of herself with every album, but each new version of Miley builds on the previous one. Instead of straddling the line between teen pop idol and provocateur extraordinaire, Miley now seeks to straddle all of the different musical worlds that tug at her heartstrings. In “Best of Both Worlds,” the show’s theme song, Miley sings, “Mix it all together and you know that it’s the best of both- / You know the best of both worlds.” In a way, this has been the governing mantra for most of Miley’s career. The electro-rock rush of much of 2020’s Plastic Hearts finds its roots in Hannah Montana soundtrack songs like “Rock Star” and “Nobody’s Perfect,” and the entirety of Bangerz and Miley Cyrus & Her Dead Petz exist in direct opposition to the saccharine cookie-cutter teen pop gloss of the Hannah brand.
The show, which centered on a regular teen named Miley Stewart who lived a double life as a pop star named Hannah Montana, has both defined Miley and threatened to box her into a hyperspecific brand of pop stardom. Nearly two decades ago, Miley Cyrus captured the hearts of millions of kids, topped the Billboard 200, and launched a gold mine for Disney with the debut of Hannah Montana. From America’s Sweetheart to America’s Nightmare to the latest mastering of subverting Americana iconography, Miley Cyrus has been a kaleidoscopic mirror to American society since 2006. And when she sings “ But don’t forget, baby I’m a wildcard” on the third-to-last song, you’ll definitely believe her.There are some things that are undeniably American: baseball, fireworks on the Fourth of July, and Miley Cyrus. She knows she can pull off different musical styles even when she’s not trying to make bangers (or ‘Bangerz’). “She’s still working out what she wants from a relationship. In a four-star review, NME said that Miley Cyrus’ ‘Endless Summer Vacation’ “certainly feels like an accurate reflection of who she is as an artist – and a person – in 2023”. The collection, which was developed by indie band Breezer, was subsequently praised by Liam Gallagher. The ‘leaked’ record has since been removed from all major online music sites.Īs the New York Post notes, some fans have suggested that ‘Down With Me’ could just be another impressive AI-generated music project.Įarlier this month, a “lost” Oasis album – created by artificial intelligence – was shared online. It is reported that all of the songs on ‘Down With Me’ credited Willian Cordeiro as the songwriter, apart from ‘I Don’t Wanna Tell You Lies’, which is credited to Carla Pierce.
#MILEY CYRUS NOT MY VIBE LYRICS FULL#
Cyrus’ next full record would be 2020’s ‘Plastic Hearts’. ‘She Is Coming’ was initially intended to be a precursor to a studio album called ‘She Is Miley Cyrus’, though that project never materialised.
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